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Wholesale Nintendo Wii Accessories
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I easily remedied the first two with a thorough PS3 Controller cleaning and a screw from my screw wireless controller collection. The third will be repaired with some help from my friend EBAY. Finally the last one was a little tricky. I think the charging issue might be due to some liquid damage. I measure the voltage when plugged into a USB adapter and best china tablet noticed that instead of a nice 5V, I was getting a PS3 Chargers unstable 2V. This explains why the PS3 complains about too much current being drawn when the controller is plugged in. I figured I had nothing to lose so I went about trying to fix this problem. 745TDBanty 130129
This game embodies the psychedelic excess associated with video games
in a way which few games – even the landmark destruction orgies of the Call of Duty series
– match. It is a game where robot samurai ride robot horses to attack
giant aliens, a schoolgirl and her pet talking moles (note: actually platypi) launch
boulders at the enemy while quoting cartoon shows, and a red-and-gold
robot can take an orbital laser shot full on and receive no lasting
damage. Everything about it is larger-than-life, primary-coloured and
loud, a very exuberant sensory overload which comes as quite a surprise
set as it is in a fairly in-depth strategy RPG framework.
This entry in a long-running (22 years old now) franchise, the first
on the PS3, does not make any major gameplay changes compared to
previous ones, instead marking the move to HD home consoles with
increased emphasis on graphics and length – taking the Super Robot Wars games
that keep players returning and simply expanding on it in every aspect.
This is, generally speaking, a good thing; two lengthy campaigns (which
intersect for some missions and then diverge again) and more available
units than a player can ever use at one time, plus unlockable difficulty
levels, challenge modes, secret units and other bonuses, in addition to
a New Game Plus mode, mean that even though a single runthrough is
likely to take a good few dozen hours there is incentive to return and
have a largely fresh experience.
Since the franchise’s inception on the Game Boy, its emphasis has
been on the sort of school-playground power level comparisons of cartoon
heroes – could Batman beat Superman, could James Bond beat the
Terminator – but drawing on classic anime heroes and giant robots. Many
of the games use as a kind of baseline an “Original” unit – the
protagonist, drawn from none of the licensed series and generally used
to provide a central conflict around which different factions interact.
Many of these units and characters – early examples including the Black
Gespenst, the Elemental Lords and Fighter Roar – became popular in their
own right and a number of sidestory adventures focusing more heavily on
them were released (for example the Lords of Elemental games on SNES and PSP, and the Gameboy Advance Original Generations titles)
and then in a display of impressive transmedia savvy, these homages to
existing characters got their own cartoon series in time; Divine Wars, Lord of Elemental Cybuster and The Inspectors. Thus, one can play 2nd OG without
any knowledge of specific anime or indeed knowledge of previous entries
in its own continuity; the characters are broad-strokes cartoon
character homages embodying different hero archetypes and mashing
together the whole gamut of giant robot cliches, grouping together in
teams based on which subgenre they represent. Such a disparity in units
and styles works; many SRPGs like Fire Emblem and Advance Wars have
little more than cosmetic differences between most of their units – you
may have a green axe knight or a red sword knight, but they look
largely similar. In 2nd OG, however,
your units range from flying brick-like battle fortresses and avatars of
Chinese gods to huge armoured mechanical women. This absolute chaos of
disparate units clustering together in sub-plots becomes a little hard
to follow in some ways if a player is not fluent in Japanese, but again
the roots of the franchise – in children’s cartoons – make it
comparatively easy to follow. Heroes and villains are easily paired up
and identified, much of the plot is simple and can be worked out by
context of who is fighting who and where. All that is really lost – and
this is something of a shame – are the personalities of the characters.
The voice-acted attack animations give an idea of these but some of the
non-plot-relevant interactions between missions are amusing but hard to
follow without some language knowledge.
In gameplay terms, though, 2nd OG is
very friendly to a player importing it. Menus are largely
self-explanatory and those which are not such as the upgrade system are
explained in great depth on a fan-made website for the franchise
(akurasu.net). In missions, the UI is heavily standardised, with core
options like movement, attacking and ending a turn always using the same
quickly-learned symbols; indeed, to help remember these the game’s
hand-holding (yet thankfully optional in a move many modern games could
do well to imitate) tutorial systematically explains each of them with
visual examples. Even those specific game mechanics which are not so
easily explained – such as the “Maximum Break” special move – are not
vital to completing the base game and really only needed for advanced
play such as completing the EX Mode unlocked after successfully
completing the campaign. Obviously, learning the idiosyncrasies of an
import game does require a period of trial-and-error and effort – and
unlike a game such as Another Century’s Episode: R which had entirely English menus, 2nd OG does require some more memorisation of menu options.
2nd OG has a refreshingly
well-balanced difficulty curve; playing the game relatively capably will
allow a player to make good progress, with the in-mission difficulty
adjusting according to how many “SR Points” they can get (awarded for
completing missions under certain conditions or destroying bosses which
are supposed to be avoided) and increased difficulty giving more
experience and money per mission. What is more, there are very few, if
any, completely worthless units; even the weakest generally have some
value in being used as healers or support units. As a result, the player
never feels penalised for using their favourites – although it is worth
noting that a number of missions specify which units must be
used and can be very difficult if those have been neglected. However,
the game provides for this; mandatory units are highlighted before the
next level begins to remind a player to upgrade them, and failing a
mission allows the player to keep all their money and experience (but
lose the SR Point for the level). There are also far fewer (in
comparison with some series entries) missions where it is possible to
completely stall out and render the game unwinnable; only a few bosses
recover health (which can, when combined with the limited resources
available to the player, lead to them failing a mission as they cannot
harm the enemy).
In terms of graphics and soundtrack, the game is hard to fault; the
sprites on a 3D background are highly detailed and the missions now have
3D maps and animated models for units rather than static ones as PS2
entries in the series used. The majority of cutscenes are still text and
static images, simply to account for the number of them required (at
least two for each mission over two 40-mission or so campaigns as well
as the shared missions), but this is not a major criticism. However,
while the mechanical designs and attack animations are all top-notch, a
good number of the character animations are going to be inherently
divisive in how sexed-up they are; much of the sex-appeal in the game
has been toned down from past games but it is still ultimately a
defining feature of the series.
Overall, 2nd OG is a very polished
and fun game, a good refinement of a long-running series and a strong
debut on the PS3. It stands well enough alone and has intuitive enough
controls and mechanics to be a good game for importers, and for diehard Super Robot Wars fans it is among the best entries in the series after the slightly disappointing 2nd Super Robot Wars Z: Regeneration Chapter.
A player not familiar with Japanese loses out somewhat in the game’s
humour and characterisation moments, but the plot is simple enough to
follow by context and visuals for the most part that this does not count
too strongly against it. As a result, it comes highly recommended for
fans of strategy RPGs, those gamers who never really stopped wondering
which superhero was strongest and anyone who likes anime. Absolute
diehards can also consider the deluxe editions, which for a fairly
staggering price offer the game as well as bonuses like a model kit and
the The Inspectors animated series on Bluray.
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